RESUME

For the 20plus years Ray Norman has been involved in a range of research projects that have been essentially to do with the cultural geography of 'place'. Albeit, that he originally established himself in national 'arts scene' his practice has evolved from studio practice, to arts administration, to academe and ultimately into independent research.

Ray has been resident in Tasmania since 1984 and Launceston since 1986. Ray was born in Kyogle northern New South Wales and spent his childhood in Mullumbimby on the Brunswick River. 

Like many Australians of his generation he has moved around Australia living in metropolitan and regional cities and towns. While his primary practice has been as a 'cultural producer', his research practice increasingly became more intensely involved with research. Most recently he has been engaged in research relevant to place, placescaping, placemaking and placemarking and in large part to do with 'musingplaces' and local governance.

QUALIFICATIONS:  Ray undertook an apprenticeship in jewellery & metalsmithing and holds the relevant trade certificate. Concurrent with his apprenticeship he studied sculpture, drawing & ceramics part-time in the evenings at the National Art School in Sydney. 

His most recent academic qualification completed was a Master of Fine Arts Degree by Re search (Monash University) gained in 1995.

EXPERIENCE: Upon completing his apprenticeship with Magnus Goldring Pty Ltd in Sydney in 1967, Ray later worked as a designer jeweller for Anina, a leading Sydney boutique retailer and bespoke  jewellery outlet at the time. 

In 1969 moved from Sydney to establiosh and manage the Sturt Metal Studio a production and training workshop at Sturt Workshops in Mittagong.  Until 1984 he worked at Sturt and his duties included studio production, the provision of studio based vocational training, teaching secondary education classes, community classes and conducting special workshops & seminars.

During his time in Mittagong with Winifred West Schools (WWS) he played a role in the overall governance, administration and management of WWS and Sturt Workshops – a division of Winifred West Schools.

While living in NSW Ray was intensely involved with 'arts advocacy'  and arts activism. He was a foundation member of the Crafts Council of Australia and he served on several boards and committees until he moved to Tasmania.

In 1974 Ray received an international study grant from the Australia Council. He undertook a special program of study at the Birmingham Polytechnic in the UK within the Birmingham School of Jewellery & Slversmithing. . 

He was also a foundation member of the Jewellers & Metalsmiths Group Australia and coordinated the group's inaugural conference at Sturt in 1980. 

When Ray moved to Tasmania in 1984 it was to take up the position of Senior Project Officer(Visual Art & Crafts) at the Tasmanian Arts Advisory Board where he administered the Tasmanian Government’s Visual Arts and Crafts Grants & Loans Program, Art for Public Buildings Scheme and the Arts Based Industries Program.

In 1986 Ray took up a lecturing position in jewellery and metalsmithing in Launceston at the TSIT School of Art – now University of Tasmania's College of the Arts. 

During his time at the University of Tasmania he organised several national and international conferences as well as participating in and curating a number of exhibitions several of which toured nationally and internationally. 

In latter years Ray chaired the UTas University Gallery Committee and served on the NETS Tasmania (National Exhibitions Touring Support Tasmania) Management Committee.

Since leaving the University of Tasmania late 1996 Ray has been involved in a range of research projects related to current cultural production and projects related to place, placemaking and placemarking. At that time he established [zingHOUSEunlimited] – a lifestyle design enterprise and research network.

Many the projects has been engaged in were associated with Southern Cross University. A key element of this research has been focused upon the  concept ofCommunities of Ownership & Interest relative to the concept of cognitive ownership relative to 'place' in the various ways that can be understood. A significant component of this research has been community focused.

Ray has also maintained a research project focused on palawa shell necklace making in Tasmania and the ways this activity has become a 'cultural marker & marker of place' and the ways the necklaces have become cultural identifiers for Aboriginal & settler communities in Tasmania and in various ways.

Throughout his career Ray has been included in major exhibitions that have toured nationally and internationally. He is represented in major public collections throughout Australia, notably the National Gallery Canberra, and has carried out many major commissions for both private clients and public institutions. 

Ray has also conducted many sessional workshops and has given papers at various conferences in his field throughout Australia. Over time he has prepared reports in response to various community developments and has facilitated community advocacy initiatives.

Most recently Ray in collaboration with his network associates, has set up a consultancy focused on local governance advocacy. The consultancy via its networks will be offering a wide range of services.   ...... JAN 25 2020